Good Day (ft. The Palmer Squares & Ross Augusta)

from by Drew Mantia

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Hook: Ross Augusta

Take my time, take all that I need
Do my own thing at half of the speed
It’s gonna be a good day
Day off work, got my friends here with me
Since the sun came up illegal activities
It’s gonna be a good day

Verse 1: Term K

There just may never be a better day
So don’t you ever let it get away
Head to the bank and it’s empty
Benjamin Frank and his friends done left me hanging
But take lemons make lemonade
Getting paid is irrelevant
Never complain for a second they led you astray
And with every step of the way it’s a waste of breath
Head full of hate
My heart full of hurt
Blinded by love or the skies up above
But for all that it’s worth you the salt of the Earth
So look babe at the way that I need ya
Or should I say “buenos dias”?
Cause it be such a good day


Verse 2: Acumental

Hmm what a good day
I think I’ll have a beer for breakfast
Listening to feel good music
And people need to hear the message
It’s Acumental, a bearded mess with no clear intentions
Going deaf in both ears, perception so bleary
Empty those teary lenses
I’m here to let you know
How to get hip to the monotone click of the metronome
It go tick tick tick ‘til your wig get split
Like a schizo living in a mental home
You so crazy
No way you can rain on my parade, clear blue skies ahead
So I play hooky to make whoopee and smoke an L as I lie in bed


lyrics by Drew Mantia & The Palmer Squares


from Feel Good Music, released June 15, 2015
produced by Wes P & Drew Mantia

recorded, mixed, and mastered by Drew Mantia

vocals by Ross Augusta & The Palmer Squares

drums, bass, keys - Wes P

keys, drumset - Drew Mantia

guitar- Pete Lombardo



all rights reserved


Drew Mantia Chicago, Illinois

Drew Mantia is a musician & producer who made his name handling production for "LSD" by ProbCause & Chance The Rapper and "Chicago Style" with ProbCause & Twista. Pulling from a bevy of inflections and influences Mantia creates music that is informed by styles of the past while at once becoming something new that is easily identified in contemporary music circles. ... more

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